![]() ![]() ![]() ![]() There is an illustration of one of these above, left. The pen and ink approach proved to be especially useful for the abstract composition parts of the series. ![]() I dipped a pen nib into the ink and proceeded to lay in basic elements of the designs. Solving that problem was relatively easy as there were acrylic based black inks readily available at my local art supply store. This is because the subsequent acrylic paint would act as a solvent to the shellac and (at least partially) dissolve any careful design. What I sense (but don’t know) is that painting indirectly, which makes use of underdrawings in a foundational and yet implicit way, has gone somewhat out of vogue. Thus the information I found only partially addressed my interest.Īnyway, the first important thing I did find was to avoid traditional shellac based india ink. I want the underdrawing itself to play a role in the final painting – and not just in a paint-by-number, outline kind of way. Most information I found concerned transfer of the design and then getting rid of the drawing as soon as possible. To my surprise I did not find a lot of information online about creating an underdrawing for painting in acrylic. Since I haven’t used the medium for about forty years I had to search around a bit to see how best to do that. Thus for starters I wanted to transfer the basic elements of the design to each panel. I am currently involved in a project which calls for thirteen panels to be executed in acrylic according to a pre conceived design. If you want a watered down ink, take some from the pot (eyedropper or pipette or load up an old brush) to a palette/plate/ashtray and then add some water to mix. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright. The primitive version of an ink brush found had a wooden stalk and a bamboo tube securing the bundle of hair to the stalk.Pen and ink Underdrawing for A Piece of Me #59 1 wash any new brush before use (just the once, to remove any coatings) 2 don’t dip in soap or water then the ink pot it ruins the ink. The earliest intact ink brush was found in 1954 in the tomb of a Chu citizen and was dated 475-221 BC. Artists in Japan, Korea and Malaysia learned from the Chinese and then developed their own versions of ink-and-brush painting. A great painting was judged on three elements: the calligraphy strokes, the words of the poetry, and the ability of the painting strokes to capture the spirit of nature rather than a photographic likeness. The Chinese speak of “writing a painting” and “painting a poem.” In ink and brush painting, emphasis is placed on the quality of each individual stroke. Painting and writing developed together in ancient China. Writing a painting Wang Dongling (contemporary) In his lessons, he advocated practicing with Asian ink and brushes to develop aesthetic acuity with line and shading. Dow endeavored to create harmonic compositions through three elements: line, shading, and color. Dow’s fascination with ink painting not only shaped his own approach to art but also helped many American artists, including his student Georgia O’Keeffe, avoid what he called a “story-telling” approach. India We make Video Art Tutorials for beginners & advance level where we provide 4 tutorials each week about Watercolor Acrylic Pastel and Ink. ![]()
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